Hi Guys!
I just stopped in to share some good news - I'm currently writing for a site named, Nerd Appropriate!
Better yet, we're running a contest to win a chapter critique from awesome BioWare writer, Patrick Weekes in celebration of his new book titled, The Palace Job!
All you have to do to win is answer this simple question:
What is your favorite thing about unicorns?
Easy, right? Visit my review page and then answer the question in the Comments section.
You can also tweet your answer to @NerdAppropriate or leave a message on our Facebook page!
Be sure to check out the site for all your nerdy needs and listen to our weekly podcast!
Good luck!
@hilaryheskett
Showing posts with label Characters. Show all posts
Showing posts with label Characters. Show all posts
Monday, September 24, 2012
Win a Chapter Critique!
Labels:
BioWare,
Characters,
contests,
Mass Effect,
nerd,
Reading,
video games,
Writing
Friday, December 10, 2010
And So Our Story Begins...
This is an exciting time for me and Crabcat Industries. You know, that amazing art / costume troupe I joined?
Yesterday I bought the first part of my costume. Yay! Alginate! I'll be getting a head cast created for me soon which means claustrophobia, I mean, encasement in plaster, uh, fun times. Yeah, I was as excited about that last part as I was to find out I needed my very first root canal last month. Oh well. No pain no gain, right?


I'll be chronicling everything here so you can come along on this fantastic journey with me. Some of it will be on the Crabcat blog, Sorcery and Glue, as well.
Yesterday I bought the first part of my costume. Yay! Alginate! I'll be getting a head cast created for me soon which means claustrophobia, I mean, encasement in plaster, uh, fun times. Yeah, I was as excited about that last part as I was to find out I needed my very first root canal last month. Oh well. No pain no gain, right?
Did I even mention who I was going to be? No? WELL...
I plan to transform into the awesome character Aria T'Loak from the video game franchise "Mass Effect." She's a pirate, a dictator and an all-around badass. Gotta love strong female characters.

I'll be chronicling everything here so you can come along on this fantastic journey with me. Some of it will be on the Crabcat blog, Sorcery and Glue, as well.
One more thing, be on the lookout for an announcement of something cool we're doing on the 18th. I'll keep you posted!
Monday, November 16, 2009
See. Think. Do.

Not too long ago, a friend and I discussed how to write fictional scenes. I came up with a succinct way to explain how I do it and she encouraged me to share, so here goes:
Characters see things, think things, and do things. Sounds easy, right?
Let me break it down:
See – This is where the movie plays within my mind. The imagination wanders and I begin to construct the setting. At this point, the only sense I’m using is sight. I can see the room, the way light filters through dusty eaves, and the way a person’s face shadows. Light is huge for me. Maybe because I’m obsessed with interior design, but I always have to know how things are lit.
Think – This is what I call, “The Flourish”. Here's where you get to dive into characters’ brains. In my latest project, I’m writing from the 1st person past perspective. I can really delve into why my MC wants something and how she feels about external stimuli. Now the other senses become paramount. For example, how the air smells of rain or how the wind whistles through the trees and how it reminds her of her childhood, first date, etc. She can touch things and taste things. All the while, I’m keeping in mind motivation. The same is true for the other characters, but I can only write down things from her vantage point. There’s a different balance with 3rd person POV, but living inside the head of every character crosses all POVs.
Do – Characters say things and they move around to do what they’re compelled to do. It’s pretty straightforward. A woman can pick up a sword and swing it at her cheating husband. A man can smile and fire a gun. Someone might say a snappy line while they fry in the electric chair. Sorry for the violence, but it’s more fun than listing what people eat or fiddle with. Using what you know from their thoughts, you can create their actions.
I’m sure you have your own theories. Of course, this isn’t the only method for scene construction nor does it have anything to do with developing plot. Plot is its own animal and I would strongly recommend James Scott Bell’s Plot & Structure.
Also, for the record, I do not in any way feel I’m an expert. I just love going to writer blogs and learning something new or at least seeing something in a cool new light.
There are so many parts to the puzzle. I hope this post can give you one small piece. Maybe just an unimportant one from the edge.
Be sure to tell me what you think. I’d love to read your methods and learn from you.
Monday, November 9, 2009
Imaginary Friends
Hey guys -
I’m back to query letter and synopsis fun. Yuck. Summarizing shouldn't be this difficult. The upside is I’ve already done the bulk of the work for the old version.
For example,
What would Autumn do if confronted with this mean tech at CVS Pharmacy who seriously cannot give me a straight answer on copays?
Writers have different methods, so it would be interesting to hear yours. Do your characters take a backseat to everyday living? Are you able to hit mute on the “voices in your head”?
I’m back to query letter and synopsis fun. Yuck. Summarizing shouldn't be this difficult. The upside is I’ve already done the bulk of the work for the old version.
Another positive note, I wrote part of Summer’s End yesterday. Pretty exciting stuff. There’s something comforting about reuniting with characters. I know their motivations, speech patterns, mannerisms, etc. It’s like getting together with old buddies – which brings me to my question:
EL Doctorow says, “Writing is a socially acceptable form of schizophrenia,” but is it really?
My characters live in real life. Before you get all “she’s nuts” on me, here me out. When I’m involved with a project, sponge-mode takes over. I begin to analyze everything for possible use.
For example,

What would Autumn do if confronted with this mean tech at CVS Pharmacy who seriously cannot give me a straight answer on copays?
Or what would Nathan do if stuck behind this friggin’ idiot who keeps stopping for no reason?
Or would Jonah want Jack in a Crack or Tacos Smell?
It’s a litmus test for how well I know my imaginary friends. Do you do that?
Writers have different methods, so it would be interesting to hear yours. Do your characters take a backseat to everyday living? Are you able to hit mute on the “voices in your head”?
hhs
PS - I also sent the new (and oh-so improved) version of my book to an agent. Cross your fingers for me.
Thursday, February 26, 2009
Sympathetically Insane
Today on Nathan Bransford's blog, he mentioned Sympathetic vs. Unsympathetic Characters.
Very apropos. I'm toying with an idea for a new book centered on an obsessed, sometimes violent, but otherwise amiable woman who makes deleterious decisions costing her all she holds dear, including her sanity. This is where the question of how to make your protagonists/antagonists resonate with others comes into play.
Is craziness so far off for any of us?
Is obsession the same as passion?
For myself, writing goes far beyond the simple, "I like to do it." IS that the same as saying I'm obsessed?
Let's look at the symptoms:
1 - I do it for hours every day. Even weekends and holidays.
2 - I talk about it as much as possible keeping in mind that not everyone can relate... or cares for that matter.
3 - My characters are real to me. “Writing is a socially acceptable form of schizophrenia.” EL Doctorow
4 - It's hard not to do it. When away from my computer, I keep a note pad with me so I can jot down mannerisms or funny observations.
Okay, it would appear that I am, in fact, obsessed. Therefore, I can relate to my character. But will others?
Comments and suggestions are certainly welcome. Also, does anyone have any good reading recommendations for stories told from the villain's perspective?
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